Real-time editing does not apply changes immediately, but applies edits and processing on the fly during playback. If, for example, part of a track is deleted, the 'deleted' audio data is immediately removed from that part of the track.

Destructive editors are also known as 'sample editors'.ĭestructive editing applies edits and processing directly to the audio data, changing the data immediately. Audio editors may process the audio data non-destructively in real-time, or destructively as an 'off-line' process, or a hybrid with some real-time effects and some off-line effects.Ĭomparison of destructive and real-time editing ĭestructive editing modifies the data of the original audio file, as opposed to just editing its playback parameters. Typically these tasks can be performed in a manner that is non-linear. Conversion between different audio file formats, or between different sound quality levels.Playback sound (often after being mixed) that can be sent to one or more outputs, such as speakers, additional processors, or a recording medium.Apply simple or advanced effects or filters, including compression, expansion, flanging, reverb, audio noise reduction, and equalization to change the audio.Mix multiple sound sources/tracks, combine them at various volume levels and pan from channel to channel to one or more output tracks.an S-fade out during applause after a performance), or between clips (e.g.

Edit the start time, stop time, and duration of any sound on the audio timeline.Record audio from one or more inputs and store recordings in the computer's memory as digital audio.The ability to import and export various audio file formats for editing.2 Comparison of destructive and real-time editingĮditors designed for use with music typically allow the user to do the following:.

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